The first time I saw B. Monkey (at the Ghent Film Festival in 1998), I was amazed at how many people had come to see this action movie starring Asia Argento.
Of course it wasn't because of Asia's charismatic performances this movie was so popular, but because it was the latest film by Michael Radford, director of Il Postino (together with Le Fabuleux Destin d'Amélie Poulin the longest running movie in the last ten years - well, in Antwerp anyway).
From Il Postino to B. Monkey was a weird step and perhaps one of the reasons why B. Monkey gets so many negative reviews.
I'm well aware that this movie is a male-oriented dream of escapism, but when the result is a movie like this, one wants to take a lot for granted.

B. Monkey was based on a novel by Andrew Davies who has been writing since the late 60s and has penned many scripts for well-known productions such as the script for the Bridget Jones Diary and the lesbian BBC drama Tipping The Velvet. He knows how to tell a story and perhaps this is why, in my opinion, B. Monkey is so much better than the usual drama where a delinquent girl meets an honest man and decides to better her life (genders may be changed here). Even though you can predict the big lines of the story, you're still surprised at certain plot changes.

Alan (Wayne Wang favourite Jarid Harris) and Beatrice (Asia 'daughter of Argento) couldn't be further apart: she's a bank-robbing criminal, he teaches poor kids and has a jazz show on hospital radio. Once again something that makes you realize that this movie walks a thin line between good cinema and a third-rate tv's movie of the week. Believable acting by Harris, Argento and, not to forget, Rupert Everett helps the movie to stay on the right part of that thin line.

(courtesy of the NY Times)

B. Monkey is out on VHS and DVD in some countries.
There is a website dedicated to the book and film (which is where we found the images for this review).

The Kurtodrome Vault is part of the Kurtodrome.